Maestro

Andrew Greenwood

Todmorden

United Kingdom

Artist

Approved

2024

2023

2020

2019

2018

2016

2015

2014

2013

2012

2011

2010

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

1996

Individual contributor id

include virtual contributors

Pianista

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Percussionist

Guitarist

Organist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Compositor

Diretor de Palco

Libretista

Cenógrafo

Estilista

Coreógrafo

Designer de Iluminação

Dançarino

Ator

Mestre de Coro

Designer de Vídeo

Dramaturgo

Tradutor

Designer de Som

Repetidor

Maquiador

Produtor executivo

Estilista de cabelo

Other

Stage Manager

Coral

Orquestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Tenor

Singer

Baixo-barítono

Contralto

Contratenor

Barítono

Mezzo-soprano

Soprano

Baixo

Spoken

Vocalista Infantil

Silent

Alto

Watch the William Tell trailer

• Maria de Rudenz has been described as ‘perhaps the darkest of Donizetti’s tragedies’, which is saying something and may account in part for the opera’s long-standing neglect. It tells the story of how Maria falls in love with Corrado against her father’s wishes and flees with him to Venice. In Venice, Corrado abandons her and heads back to the Rudenz family castle, falling in love this time with Maria’s cousin, Matilde di Wolf. Maria returns to the castle and discovers that her lover is not only going to marry her cousin but is also, in fact, the son of a murderer. On the wedding day of Matilde and Corrado, Maria appears and reveals Corrado’s secret, murders Matilde and commits suicide.  First performed at La Fenice in Venice in 1838, Maria de Rudenz comes in the sequence of Donizetti’s 70 or so operas between Roberto Devereux and Poliuto and is thus a work of the composer’s full mastery. Its unsuccessful premiere may have been one reason Donizetti was quick to rearrange the first-act finale for Poliuto (Wexford patrons who saw that opera at Glyndebourne last summer will perhaps recognise some of the music). As so often with Donizetti, this score has its own tinta, or colour, something most noticeable in the long bass clarinet solo in the prelude to Act 2.  The first modern staging of Maria de Rudenz was given, again at La Fenice, in 1980, and it still awaits a full production in both the United Kingdom and the United States. This autumn’s Irish premiere is the latest in a series of important Donizetti revivals at Wexford, which has played a major role in what remains an ongoing Donizetti renaissance. It is surely no coincidence that Wexford Festival Opera’s lifetime has overlapped with Donizetti’s reversal of fortune – the composer who 65 years ago was all but written off as intellectually disreputable has now regained his rightful place in the operatic canon.

Maria De Rudenz Interviews with Highlights - Wexford Festival Opera 2016

Fidélio

Os Pescadores de Pérolas

Carmen

Moralès

Dancaïre

Zúñiga

Sonho de uma Noite de Verão

Albert Arenque

Medeia

Adriana Lecouvreur

Maria Padilla

Roberto Devereux

Lucrezia Borgia

Maria de Rohan

Ana Bolena

O elixir do amor

La Fille du régiment

Maria de Rudenz

Cristina Rainha da Suécia

The Miracle, EHWV 151

A Raposinha Matreira

Der Wildschütz

Cavalheirismo rústico

Manon

Werther

Die Hochzeit des Camacho

Don Giovanni

Idomeneu

Così fan tutte

A flauta mágica

As bodas de Fígaro

O Rapto do Serralho

La Voce

Don Alfonso

As Alegres Comadres de Windsor

La Périchole

A vida parisiense

A Gioconda

Barnaba

Dialogues des Carmélites

A Boêmia

As Willis

Turandot

Tosca

Cesare Angelotti

Guillermo Tell

Cinderela

A carreira do libertino

Mignon

O Imperador da Atlântida

Kaiser Overall

Luisa Miller

La traviata

Aida

Amonasro

Macbeth

Atila

O trovador

Jerusalém

Rigoletto

O Conde de Monterone

O Barão Douphol

Don Carlo

Philip II

Andrew Greenwood

Créditos do espetáculo

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