Bass-baritone sings "En visa till Karin när hon hade dansat" by T. Rangström
Creidmheasanna feidhmíochta
Léirithe san am a chuaigh thart 2021 — Inné
Le nozze di Figaro (The Marriage of Figaro), Mozart
Saluzzo Opera AcademyIl Conte di Almaviva (The Count of Almaviva)
Féach ar an bhfoireann agus an fhoireannPetite messe solennelle (Little solemn mass), Rossini
Capella KreuzbergBasso (Bass)
Féach ar an bhfoireann agus an fhoireannJohannespassionen, Bach, J. S.
Brännkyrka FörsamlingPilatus (Pilate)
Féach ar an bhfoireann agus an fhoireannHänsel und Gretel, Humperdinck
Opernfest Berlin (Berlin Opera Academy)Peter
Féach ar an bhfoireann agus an fhoireannRigoletto voor kinderen, Verdi
Stichting Camerata de' Bardi van NederlandSparafucile + 1 ról
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Le nozze di Figaro (The Marriage of Figaro), Mozart
Saluzzo Opera AcademyIl Conte di Almaviva (The Count of Almaviva)
Féach ar an bhfoireann agus an fhoireann
Petite messe solennelle (Little solemn mass), Rossini
Capella KreuzbergBasso (Bass)
Féach ar an bhfoireann agus an fhoireann
Hänsel und Gretel, Humperdinck
Opernfest Berlin (Berlin Opera Academy)Peter
Féach ar an bhfoireann agus an fhoireann
Suor Angelica (Sister Angelica), Puccini
Gianni Schicchi, Puccini
Berlin Opera AcademySer Amantio di Nicolao + 2 ról
Féach ar an gclár, an fhoireann agus an fhoireann
Beathaisnéis
Eric Schoeffler, a bass-baritone of French and Swedish nationality, emerges as a multifaceted artist with a rich tapestry of experiences. His journey spans continents and genres, weaving together a narrative of dedication and passion. Educationally, Schoeffler's path is marked by a fusion of opera and jazz music. He holds a Master of Science in Engineering from Stockholm, Sweden, juxtaposed against a Musical Graduation Certificate from the esteemed "Conservatoire Nadia & Lili Boulanger" in Paris, France. This duality of expertise underscores his breadth of knowledge and commitment to both technical precision and artistic expression. Transitioning from the realm of engineering to the stage, Schoeffler embarked on a transformative artistic odyssey. His formal training culminated in a Bache
