Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 1999 — Inné
L'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Theater BaselNerone (Nero)
Féach ar an bhfoireann agus an fhoireannL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Gran Teatre del LiceuL'Amore (Love) + 2 ról
Féach ar an bhfoireann agus an fhoireannL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Opéra Royal de VersaillesNerone (Nero)
Féach ar an bhfoireann agus an fhoireannMessiah (Messiah HWV 56), Händel
Bournemouth Symphony OrchestraCountertenor
Féach ar an bhfoireann agus an fhoireannL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Theater BaselNerone (Nero)
Féach ar an bhfoireann agus an fhoireannL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Gran Teatre del LiceuL'Amore (Love) + 2 ról
Féach ar an bhfoireann agus an fhoireannL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Opéra Royal de VersaillesNerone (Nero)
Féach ar an bhfoireann agus an fhoireannL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Oper KölnNerone (Nero)
Féach ar an bhfoireann agus an fhoireannJohn Blow's Venus and Adonis, CarissimiStylesBlow
La Nuova MusicaHistoricus + 1 ról
Féach ar an gclár, an fhoireann agus an fhoireannTrionfi, Orff
Staatsoper HamburgCountertenor
Féach ar an gclár, an fhoireann agus an fhoireannL'incoronazione di Poppea (The Coronation of Poppea), Monteverdi
Nederlandse ReisoperaNerone (Nero)
Féach ar an bhfoireann agus an fhoireannAlready a professional singer at the age of eleven, when he sang Yniold in Pelléas et Mélisande for Glyndebourne Festival Opera, and in several productions at ENO, Jake Arditti has had a meteoric rise to fame since his prize-winning performance at the 2012 Innsbruck Baroque Singing Competition. His “… show-stealing riches of vocal colour and stage presence” (Daily Telegraph) have already brought him widespread critical and public acclaim, not only in such baroque virtuoso warhorses as Handel’s Rinaldo (title-role at Bolshoi Theatre, Moscow), Serse (title-role at Longborough Festival Opera), Riccardo Primo (title-role at the London Handel Festival), Sesto in Giulio Cesare (Teatro Colón and Theater an der Wien), but also in such rarities as Emone in Traetta’s Antigone (Wiener Kammeroper), E