Non ho cor
Jay Marchand Knight
Soprano (+1)
Biography
Canadian Zwischenfach, Jay Marchand Knight’s recent performances include Nurse Filipyevan in Eugene Onegin with Opera Queens, Denise in Jason Noble’s opera Denise, Don Jose in a genderbent Carmen with Opera Queens, and Sara in Parisa Sabet’s Vanishing Point, commissioned by Musique 3 Femmes. Jay also performs and composes with RISE Opera, an experimental project that explores human relationships to crises. Passionate about equity in opera and choir, Jay’s musical creations explore ways to make formal singing accessible to those who have been traditionally excluded from these spheres. Jay is Frederick Lowy Fellow at Concordia University, where they study vocal timbre and gender perception in the Deroche Laboratory for Hearing and Cognition. Jay teaches voice at The Voice Lab, Inc., a Chicag
Performance credits
Past performances 2007 — Yesterday
The Gondoliers, Sullivan
Lakeshore Light OperaDuchess of Plaza-Toro (Duchess of Plaza Toro)
View cast and crewL’alma mia fra le tempeste, Händel
Agrippina
View cast and crewDido and Aeneas, Purcell
Belinda
View cast and crewDie lustige Witwe (The Merry Widow), Lehár
Hanna Glawari (Hannah Glawari)
View cast and crew
Biography
Canadian Zwischenfach, Jay Marchand Knight’s recent performances include Nurse Filipyevan in Eugene Onegin with Opera Queens, Denise in Jason Noble’s opera Denise, Don Jose in a genderbent Carmen with Opera Queens, and Sara in Parisa Sabet’s Vanishing Point, commissioned by Musique 3 Femmes. Jay also performs and composes with RISE Opera, an experimental project that explores human relationships to crises. Passionate about equity in opera and choir, Jay’s musical creations explore ways to make formal singing accessible to those who have been traditionally excluded from these spheres. Jay is Frederick Lowy Fellow at Concordia University, where they study vocal timbre and gender perception in the Deroche Laboratory for Hearing and Cognition. Jay teaches voice at The Voice Lab, Inc., a Chicag
