Forestillingkreditter
Kommende forestillinger I dag og utover
Tidligere forestillinger 2008 – I går
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Don Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Se rollebesetning og crewLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Se rollebesetning og crewUtvalgte tidligere forestillinger
Don Carlos (French version), Verdi
Grand Théâtre de GenèveStage director
Se rollebesetning og crewKommende forestillinger
34Le nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Se rollebesetning og crewfr.19:30
Hanover, GermanyLa vestale (The Vestal Virgin), Spontini
Opéra National de ParisStage director
Se rollebesetning og crewlø.19:00
Paris, FranceLe nozze di Figaro (The Marriage of Figaro), Mozart
Staatsoper HannoverStage director
Se rollebesetning og crewsø.16:00
Hanover, GermanyLa vestale (The Vestal Virgin), Spontini
Opéra National de ParisStage director
Se rollebesetning og crewon.19:00
Paris, FranceLa fanciulla del West (The Girl of the Golden West), Puccini
Festtage BerlinStage director
Se rollebesetning og crewlø.19:30
Berlin, GermanyLa vestale (The Vestal Virgin), Spontini
Opéra National de ParisStage director
Se rollebesetning og crewLa fanciulla del West (The Girl of the Golden West), Puccini
Festtage BerlinStage director
Se rollebesetning og crewon.19:30
Berlin, GermanyLa vestale (The Vestal Virgin), Spontini
Opéra National de ParisStage director
Se rollebesetning og crew
Biografi
Born in Hartford, Connecticut, Lydia Steier first moved to Germany as a Fulbright Scholar following her vocal studies at Oberlin Conservatory of Music in Ohio. Steier’s work on The Lesson in Berlin’s HAU and on the multimedia production of Eight Songs for a Mad King, which was presented in Chicago, Cleveland, New York and Mexico, were the first two productions to bring her significant attention. Following that, Steier directed productions of La clemenza di Tito, and Brundibar for Opera Theater of Pittsburgh, Lohengrin at Los Angeles Opera, Madame Butterfly in Bremen, and The Merry Widow at the Deutsches Nationaltheater Weimar. Her stagings were further invited to festivals in Hong Kong, Dublin and New York. Based on her productions of Busoni’s Turnadot and Leonvallo’s Pagliacci, she was
