Marta Wryk Mezzosoprano Mozart Non temer amato bene
Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2012 — Inné
Kát'a Kabanová (Katya Kabanova), Janáček
Theater BielefeldVarvara
Féach ar an bhfoireann agus an fhoireannDoktor Bartolos Geheimnis oder In Sevilla sind die Mäuse los, Rossini
Theater BielefeldRosina
Féach ar an bhfoireann agus an fhoireann-
Il barbiere di Siviglia (The Barber of Seville), Rossini
Theater BielefeldRosina
Féach ar an bhfoireann agus an fhoireann-
Mothers. Lovers. Revolutionists., Various
Theater der Stadt SchweinfurtMezzosoprano
Féach ar an bhfoireann agus an fhoireannParsifal, Wagner, Richard
Staatsoper HannoverKlingsors Zaubermädchen 3 (Third flower maiden)
Féach ar an bhfoireann agus an fhoireannParsifal, Wagner, Richard
Theater BielefeldKlingsors Zaubermädchen 3 (Third flower maiden) + 1 ról
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Kát'a Kabanová (Katya Kabanova), Janáček
Theater BielefeldVarvara
Féach ar an bhfoireann agus an fhoireann
Doktor Bartolos Geheimnis oder In Sevilla sind die Mäuse los, Rossini
Theater BielefeldRosina
Féach ar an bhfoireann agus an fhoireann-
Mothers. Lovers. Revolutionists., Various
Theater der Stadt SchweinfurtMezzosoprano
Féach ar an bhfoireann agus an fhoireann
Parsifal, Wagner, Richard
Staatsoper HannoverKlingsors Zaubermädchen 3 (Third flower maiden)
Féach ar an bhfoireann agus an fhoireann
Léirithe le Teacht
149. Symphoniekonzert, Mahler
Theater BielefeldContralto
Féach ar an bhfoireann agus an fhoireannThe Convert, Henderickx
Theater BielefeldLutgardis + 3 ról
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
After her successful American debut as Aglaonice in Philip Glass' Orphée at the Virginia Opera, young Polish mezzo-soprano Marta Wryk came to the attention of European audiences and the press when she stepped in the role of Smeton in Anna Bolena at Oper Köln. Critics praised her for having “the most promising voice with spectacular high notes” (ResMusica) and for her “remarkable Italianitá” (Der nueu Merker). While still a member of the Oper Köln Opera Studio, she was featured in several leading roles, including Cherubino in Le Nozze di Figaro, Hänsel in Hänsel und Gretel, Oberto in Alcina and Gianetta in L’elisir d’Amore . She then joined the ensemble of Oper Köln and performed, among others, the role of Mercédès in Carmen, Second Lady in The Magic Flute and Laura in Tschaikovsky’s Jolant
