Sea Air from Previn's A Streetcar Named Desire
Etenduse krediiti
Tulevased etendused Tänasest Edasi
Varasemad etendused 2016 – eile
Erwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Vaadake programmi, näitlejaid ja meeskondaErwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Vaadake programmi, näitlejaid ja meeskondaThe Nightingale/Erwartung, StravinskySchoenberg, Arnold
West Edge FestivalEine Frau (Sopran)
Vaadake programmi, näitlejaid ja meeskondaMaddalena, StravinskyProkofiev
Berkeley Chamber OperaMaddalena
Vaadake programmi, näitlejaid ja meeskondaEsiletõstetud varasemad esinemised
Erwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Vaadake programmi, näitlejaid ja meeskonda
Erwartung / Le Rossignol, Schoenberg, ArnoldStravinsky
West Edge OperaEine Frau (Sopran)
Vaadake programmi, näitlejaid ja meeskonda
The Nightingale/Erwartung, StravinskySchoenberg, Arnold
West Edge FestivalEine Frau (Sopran)
Vaadake programmi, näitlejaid ja meeskonda
Maddalena, StravinskyProkofiev
Berkeley Chamber OperaMaddalena
Vaadake programmi, näitlejaid ja meeskonda
Hänsel und Gretel (Hansel and Gretel), Humperdinck
San Francisco OperaGertrud (Gertrude)
Vaadake näitlejaid ja meeskondaTulevased etendused
3The Legend of the Ring, Wagner, Richard
West Edge OperaFreia/Sieglinde
Vaadake näitlejaid ja meeskondaBiograafia
A 2023 Sullivan Foundation Career Grant recipient, Soprano Mary Evelyn Hangley is a graduate of San Francisco Opera’s prestigious Adler Fellowship, where she covered numerous leading roles, including the title role of Rusalka, Contessa Almaviva in Le nozze di Figaro, as well as Micaëla in Carmen. She made her San Francisco Opera debut as the Mother in Hansel and Gretel, which she was praised for "...[showing] confidence and vocal security in her unexpected San Francisco Opera debut, which proceeded flawlessly.” In 2023, Mary Evelyn saw a triumphant debut as A Woman in Schoenberg’s masterpiece Erwartung with West Edge Opera, for which The San Francisco Chronicle praised her “incendiary brilliance” and “[her] singing, moreover — bright, luxuriant and fearlessly on point — was a marvel.” Ca
