Organization

Festival Pergolesi Spontini

Singer

Mezzo-soprano

Mireille Lebel

Carmen

Tenor

Thomas Bettinger

Don José

Soprano

Erminie Blondel

Michaela

Baritone

Christian Helmer

Escamillo

Bass

Jean-Vincent Blot

Zuniga

Capucine Daumas

Frasquita

Lidija Jovanovic

Mercedes

Lionel Peintre

Dancaire

Daegweon Choi

Remendado

Antoine Foulon

Morales

Stage director

Paul-Émile Fourny

Conductor

Cyril Englebert

Lighting designer

Patrick Méeüs

Costume designer

Giovanna Fiorentini

Set designer

Benito Leonori

Vocal director

Aida Bousselmà

Assistant Director

Dorian Fourny

Opéra de Reims

Others

Chœur l'Elca

Orchestra

Orchestre de l'Opéra de Reims

franču

Reims

France

Public

Approved

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Instrumentalist

Archlutenist

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Baroque Trumpetist

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Cellist

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Flutist

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Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

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Percussionist

Pianist

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Saxophonist

Tenor Violinist

Timpani

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Tuba Player

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Viola Pomposa Player

Viola da gamba

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Violist

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Chefdirigent Musiktheater

Choir

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Chorus master

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Dramaturge

Executive producer

Extra

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Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

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Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Photo du spectacle @Luc Bertau

Opéra-Théâtre de Metz Métropole Dimanche 16 Juin 2019 / 15HMardi 18 Juin 2019 / 20HJeudi 20 Juin 2019 / 20HSamedi 22 Juin 2019 / 20HCARMEN                   ...

CARMEN de Bizet / opéra / bande-annonce / juin 2019

Bizet's ultimate opera remains one of the most famous and performed works of the lyric repertoire. The fate of Carmen, a woman with many faces claiming and assuming her freedom, is still striking with her daring and theatricality. A dramaturgical dimension that Paul-Emile Fourny very skillfully exploits.
By transposing the work into the universe of a detective series and the world of theater, the director offers it a new modernity, pushing the characters into the most obscure entrenchments of their psyche. From the prelude, he reminds us that there is murderous madness followed by crime. In a psychiatrist's office, a patient, in a straitjacket, is accompanied by a nurse. Two bodies, in front of a theater where a company is staging Bizet's opera, are the subject of forensic surveys. Thus, Don José puts on the raincoat of a police inspector and we are transported to the post-war years.
This mise en abyme, which also looks towards Shutter Island, a novel by Dennis Lehane, allows us to question the humanity of the characters by relieving them of folklore and clichés often associated with myth. An effective approach that delivers a fascinating reading of this great classic of the French repertoire.

English

Carmen by Bizet, O 21 dec 2021, No (2021/2021), Režisēja Paul-Émile Fourny,, Diriģents Cyril Englebert

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