Name: Faust
Start: 2021-01-28T00:00:00.000Z
End: 2021-02-01T00:00:00.000Z
Location: Universität Mozarteum

Artist

Admin

Mozarteum Salzburg

Internationaler Mozartwettbewerb Salzburg

Tenor

Daehwan Kim

Faust

Bass

Max Tavella

Mefisto

Alexander Voronov

Sopran

Margarita Polonskaya

Margarethe

Veronika Loy

Bariton

Taesung Kim

Valentin

Xiaofei Liu

Mezzosopran

Lyriel Benameur

Siébel

Tamara Nüßl

Wagner

Martha Schwertlein

Olaia Lamata

Dirigat

Gernot Sahler

Chordirektion

Niuniu Miao Liu

Regie

Alexander von Pfeil

Bühnenbild

Sophie Thammer

Kostümbild

Felicitas Stecher

Others

Chor der Universität Mozarteum

Orchestra

Mozarteumorchester Salzburg

Chan Young Kim

Cristina Pardo Ramírez

Salzburg

Österreich

Universität Mozarteum

Faust Gounod

Public

Genehmigt

Instrumentalist

Klavier

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Libretto

Choreographie

Lichtgestaltung

Tänzer

Schauspiel

Videogestaltung

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Bass-Bariton

Countertenor

Gesprochen

Kinderstimme

Leise

Alto

Continuo

Gounod Faust

Opera Gounod Faust Introduction

IT'S VERY IMPOSSIBLE ...

Goethe expressed himself rather skeptically to Eckermann regarding an adaptation of his Faust poem for an opera:
“It is quite impossible. The repulsive, repulsive, terrible things that it ought to contain in places are contrary to time. The music should be in the character of "Don Juan". Mozart should have composed “Faust”. Meyerbeer might be able to do that .. "

Goethe also speculated that his gloomy work in the French language, set in a “diverse but fearful setting”, would look “much clearer and more deliberate”.
However, it was not the established master of the French grand opéra - Giacomo Meyerbeer - but the 40-year-old, still rather unknown (church) composer Charles Gounod who was given the opportunity to make Goethe's magnum opus significantly accessible to music theater. The model for the opera, which premiered at the Théatre-Lyrique in Paris in 1859, was Michel Carré's boulevard play “Faust et Marguerite”, a radical compression of the Gretchen tragedy, the central motif of the young Goethe: This early Faust version of Sturm und Drang -Dichters was created under the immediate impression of the execution of the Frankfurt child murderer Susanna Margaretha Brandt (in January 1772).

English

Faust by Gounod, Fr. 29 Jan. 2021, Ab (2021/2021), Unter der Regie von Alexander von Pfeil,, Dirigat Gernot Sahler, Universität Mozarteum, Salzburg, Österreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Co-Produzent

Programm, Info & Synopsis

Videos

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte