Opera Vladarski

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Tenor

Ewandro Stenzowski

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Der brasilianische Tenor studierte in seiner Heimat bei Denise Sartori und Nelson Portella, sowie in Italien bei Carlo Bergonzi und zuletzt an der Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart bei Prof. Ulrike Sonntag. Bereits im Alter von 16 Jahren gab er sein professionelles Debüt im Konzertfach. Wenige Jahre später hat er Robert Schumanns »Dichterliebe« und Leonard Bernsteins »The West Side Story« für das brasilianische Radio aufgenommen und gab sein professionelles Operndebüt im renommierten Theatro Municipal do Rio de Janeiro. 
In Deutschland angekommen absolvierte er nach seinem Studium ein Jahr im Opernstudio an der Staatsoper Stuttgart in der Saison 2012|13.
Zwischen 2013 und 2018 war Ewandro Stenzowski Ensemblemitglied des Landestheaters Detmold. In den letzten Jahren war er an Theatern wie dem Teatro Massimo di Palermo, Teatro Petruzzelli di Bari, dem Theater Osnabrück, dem Theater Görlitz und am Staatstheater Darmstadt zu erleben.

Ewandro Stenzowski sang bereits viele bedeutende Rollen seines Fachs. So gehören Don Ottavio (»Don Giovanni«), Rodolfo (»La Bohéme«), Stewa (»Jenufa«), Duca (»Rigoletto«), Canio (»I Pagliacci«), Peter Quint (»The Turn of the Screw«), Alfred (»Die Fledermaus«), Nemorino (»L‘Elisir d’amore«) und Mario Cavaradossi in Giaccomo Puccinis »Tosca« zu seinem Repertoire.

Abseits der Opernbühne ist Ewandro Stenzowski ein gefragter Konzertsänger, z. B. in den Requiem-Vertonungen von Wolfgang Amadeus Mozart und Giuseppe Verdi und Frank Martins »Et in Terra Pax«. Mit dem Mainzer Domchor und Orchester hat er César Francks »Les Sept Paroles du Christ« live aufgenommen. 

In der Spielzeit 20|21 hat der Tenor die Partie des Macduffs in Giuseppe Verdis »Macbeth« im Theater Gießen verkörpert. Zu seinen nächsten Engagements zählen unter anderem Erik in »Der Fliegende Holländer« mit dem Orchestre National de l’Îlle de France in der Opéra de Massy, und Felix Mendelssohn Bartholdys »Elias« in der Liederhalle Stuttgart.

German

I was born in Brazil and my family history is the expression of what my country is: a complex mix of cultures and tastes. My direct roots are Italian, African, Portuguese and Polish. Perhaps, this explains why I feel home practically in every country I have been.

Music came almost accidentely into my life, still in Curitiba, my hometown. An Art's History Professor, Cirlei Donin, and an argentinian conductor, the late Lázaro Wenger were my tutors in this exciting new world. At the beggining of my 4th-year at the University, in the class of Denise Sartori, my life suffered a radical change. 

Personal reasons lead me to join the Navy in Brazil and move to Rio de Janeiro to serve for 5 years in the Marine Corps. It was not easy to keep up with singing. Time was limited. However, I could participate in competitions and some small productions, eventually.

My debut in the great Teatro Municipal do Rio de Janeiro was almost simultaneous with the end of my time in the navy. Life's speed was incredible at that time. A couple of months later, at the age of 26, I was moving to Germany to start a new life, to become a singer again. At the Hochschule für Musik und Darstellende Kunst Stuttgart, Prof. Ulrike Sonntag was the right person at the right moment. During my Master's Degree I was selected to be a part of the International Opera Studio of the Stuttgart National Opera (Staatsoper). Life after that got even faster.
In these last years I have been singing roles like Rodolfo in La Bohéme, Stewa in Jenufa, Duca di Mantova in Rigoletto, Canio in I Pagliacci, Don Ottavio in Don Giovanni, Narraboth in Salome, both Steurmann and Erik in Wagner's Der Fliegende Holländer, Nemorino in Elisir d'amore, Peter Quint and the Prologue in Britten's The turn of the Screw, Alfred in Fledermaus, Cassio in Otello, Lensky in Evgeny Onegin, and most recently, Cavaradossi in Tosca, among others.

As a concert singer (with Mozart's and Verdi'sRequiem, Mendelssohn's Paulus, oder Bruckner's Te Deum, as ex.) or on the opera stage in Houses like Darmstadt, Görlitz, Rio de Janeiro, Stuttgart, Winterthur, Petruzzelli di Bari, Detmold, Osnabrück, Philarmonie Essen, I have had the honor to work with professionals as H. Rilling, L. Rademacher, S. Cambreling, P. Kuhn, G. Mészáros, G. Carella, I. Karabtchevsky, G. Bisanti, U. Sandner,
M. Schønwandt, N. Kok, B. Epstein, A. Sanguinetti, I. Anguélov, W. Humburg, J. Wieler, D. Schmeding, S. Morabito, J. Ratke, K. Metzger, C. von Götz, P. Konwitschny, H. Horstkotte and C. Poewe. 
 
I hope that music will continue to allow me to serve its muse. It has been an incredible journey, and I will be sharing some of these moments with all of you here. Thanks for being a part of it!

Ewandro Stenzowski / Repertoire

Repertoire

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