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Mezzo-soprano

Gabriela Flores

Mexico

Singer

Artist

Approved

Gabriela Flores mezzo-soprano from Xalape, who was recently part of the Los Angeles Opera Domingo – Colburn – Stein Young Artist Program in the 19-20, 20-21 and 21-22 seasons. With Los Angeles Opera she played the roles of Love in The Three Women of Jerusalem in 2022, Thisbe in La Cenerentola in 2021, Jeannette in The Anonymous Lover, Calliope and Aurora in La morte d'Orfeo in 2020. In June 2022 she was a finalist in the renowned “International Hans Gabor Belvedere Singing Competition”

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In October 2019, she made her debut as Carmen in Xalapa, Veracruz. The same year she graduated from the Academy of Vocal Arts in Philadelphia, where she sang the roles of Azucena in Il Trovatore, Erda in Das Rheingold, Dryad in Ariadne auf Naxos, Annina in La Traviata, Maestra delle Novizie in Suor Angelica, Třetí žínka in Rusalka, Dorabella in Così fan tutte and Stéphano in Roméo et Juliette.

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Prior to her Philadelphia performances, Gabriela performed at major theaters including the Palace of Fine Arts, where she sang Giannetta in L'elisir d'amore, Maddalena in Rossini's Il viaggio a Reims, and Alisa in Lucia di Lammermoor. Other roles she has played include Amastre in Xerxes with Oberlin in Italy, Lola in Cavalleria rusticana, la Zelatrice in Suor Angelica, Carmelita in Carlos Jiménez Mabarak's Misa de seis with the Oaxaca Symphony Orchestra, Baucis in Haydn's Philemon und Baucis and Rosita at the world premiere of La Creciente by Georgina Derbez, the latter two at the International Cervantino Festival.

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His concert repertoire includes Mendelssohn's Elijah with Irvine University, Dvorák's Stabat Mater with the Xalapa Symphony Orchestra, Haydn's Die sieben letzten worte with the National Symphony Orchestra, Beethoven's Ninth Symphony with the Yucatán Symphony Orchestra, the Requiem by Mozart with the Celaya Symphony Orchestra, Handel's Messiah with the National Polytechnic Symphony Orchestra, and Beethoven's Choral Fantasy with the Coahuila Camerata.

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It has been presented in important venues such as the Palace of Fine Arts, Stefaniensaal im Grazer Congress in Graz, Austria; Dorothy Chandler Pavillion in Los Angeles; Petrarca Theater in Arezzo, Italy; Kennedy Center in Washington; Kimmel Center in Philadelphia; Helen Corning Warden Theater in Philadelphia; among others.

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First place winner of the Meistersinger international singing competition in Austria in 2019, winner of the Encouragement Award at the Metropolitan Opera National Council Auditions Middle Atlantic Region in 2019, First place winner of the Voz Artescenica competition in 2016 and finalist of the Carlo National Singing Competition Morelli in 2012.

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Gabriela began her vocal studies with maestro Armando Mora in 2009 and graduated with a Bachelor's Degree in Music Education from the Universidad Veracruzana. She was part of the Estudio de la Ópera de Bellas Artes (2014-2016) and SIVAM (2016-2017). At AVA she studied under Professor Bill Schumann and at LAO under Dr. Stephen King.

English

Gabriela Flores mezzosoprano xalapeña, quien recientemente formó parte de Los Ángeles Opera Domingo – Colburn – Stein Young Artist Program en las temporadas 19-20, 20-21 y 21-22. Con Los Ángeles Opera interpretó los roles de Amor en Las tres mujeres de Jerusalén en 2022, Tisbe en La Cenerentola en 2021, Jeannette en The Anonymous Lover, Calliope y Aurora en La morte d’Orfeo en 2020. En junio del 2022 fue finalista en el renombrado concurso “International Hans Gabor Belvedere Singing Competition”

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En octubre del 2019 hizo su debut como Carmen en Xalapa, Veracruz. El mismo año se graduó de la Academy of Vocal Arts en Filadelfia, donde cantó los roles de Azucena en Il Trovatore, Erda en Das Rheingold, Dryad en Ariadne auf Naxos, Annina en La Traviata, Maestra delle Novizie en Suor Angelica, Třetí žínka en Rusalka, Dorabella en Così fan tutte y Stéphano en Roméo et Juliette.

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Previo a sus presentaciones en Filadelfia, Gabriela se presentó en grandes teatros incluyendo el Palacio de Bellas Artes, donde cantó Giannetta en L’elisir d’amore, Maddalena en Il viaggio a Reims de Rossini, y Alisa en Lucia di Lammermoor. Otros roles que ha interpretado incluyen Amastre en Xerxes con Oberlin in Italy, Lola en Cavalleria rusticana, la Zelatrice en Suor Angelica, Carmelita en Misa de seis de Carlos Jiménez Mabarak con la Orquesta Sinfónica de Oaxaca, Baucis en Philemon und Baucis de Haydn y Rosita en el estreno mundial de La Creciente de Georgina Derbez, estos dos últimos en el Festival Internacional Cervantino.

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Su repertorio de concierto incluye el Elijah de Mendelssohn con Irvine University, Stabat Mater de Dvorák con la Orquesta Sinfónica de Xalapa, Die sieben letzten worte de Haydn con la Orquesta Sinfónica Nacional, la Novena sinfonía de Beethoven con la Orquesta Sinfónica de Yucatán, el Réquiem de Mozart con la Orquesta Sinfónica de Celaya, el Messiah de Händel con la Orquesta Sinfónica del Politécnico Nacional, y la Fantasía coral de Beethoven con la Camerata de Coahuila.

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Se ha presentado en importantes recintos como el Palacio de Bellas Artes, Stefaniensaal im Grazer Congress en Graz, Austria; Dorothy Chandler Pavillion en Los Ángeles; Teatro Petrarca en Arezzo, Italia; Kennedy Center en Washington; Kimmel Center en Filadelfia; Helen Corning Warden Theater en Filadelfia; entre otros.

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Ganadora del Primer lugar del concurso internacional de canto Meistersinger en Austria en 2019, ganadora del Encouragement Award en el Metropolitan Opera Nacional Council Auditions Middle Atlantic Region en 2019, ganadora Primer lugar en el concurso Voz Artescenica en 2016 y finalista del Concurso Nacional de Canto Carlo Morelli en el 2012.

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Gabriela comenzó sus estudios vocales con el maestro Armando Mora en 2009 y se tituló en la Licenciatura en Educación Musical en la Universidad Veracruzana. Formó parte del Estudio de la Ópera de Bellas Artes (2014-2016) y SIVAM (2016- 2017). En AVA estudió bajo la tutela del Profesor Bill Schumann y en LAO con el Dr. Stephen King.

Gabriela Flores / Repertoire

Repertoire

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